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Rubin vase : ウィキペディア英語版
Rubin vase

Rubin's vase (sometimes known as the Rubin face or the figure–ground vase) is a famous set of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin. They were first introduced at large in Rubin's two-volume work, the Danish-language ''Synsoplevede Figurer'' ("Visual Figures"), which was very well received; Rubin included a number of examples, such as a Maltese cross figure in black and white, but the one that became the most famous was his vase example, perhaps because the Maltese cross could also be easily interpreted as a black and white beachball.
==The effect==
The visual effect generally presents the viewer with two shape interpretations, each of which is consistent with the retinal image, but only one of which can be maintained at a given moment. This is because the bounding contour will be seen as belonging to the figure shape, which appears interposed against a formless background. If the latter region is interpreted instead as the figure, then the same bounding contour will be seen as belonging to it.

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